Ugaritic Baal Cycle
Ugaritic Baal Cycle, Canaanite Myth
According to the myth Baal and Mot, the two brothers and sons of El the Canaanites supreme god, engaged in a constant struggle. Baal is associated with renewal, fertility and rain, and Mot is associated with death and the Underworld. This Canaanite myth circulated through the region describes the conflict as an attempt to explains nature behavior specifically the season’s changes. No one dies in this ongoing cyclical war since gods are immortal and they sprout back to life, cyclically, just as nature behaves. The death and rebirth of Baal reflect the seasons’ change and according to the myth that’s the reason for the alternating cycle of summer, or drought, and the fertile winter rains. From Ugarit text, dated to c. 1500 BC: “there is no rain in its time ‘Ba’al fails’, being swallowed up by Mot, the god of drought “.
Baal and Mot Myth
The myth describes their final battle (clay tablets Ugarit KTU 1.6.VI:12–22):
They shake each other like beasts; Mot is strong, Baal is strong.
They gore each other like buffaloes; Mot is strong, Baal is strong.
They bite like serpents; Mot is strong, Baal is strong.
They kick like racing beasts; Mot is down, Baal is down.
Their final battle fight takes place on Mount Zephon and it lasts until exhaustion. Finally, Shapash (Sun God) arrives and warns Mot that fighting Baal is useless since El now supports Baal and will overturn Mot’s throne. The fight terminates and the frighten Mot declares Baal as the king.
Baal and Mot struggle in rock art
Fig.1 is a Rock Art from Negev Desert that illustrates their final battle. As brothers, they are equal in size and power, both engaged in an ongoing fierce fight, which includes strikes and kicks. One figure is standing with his hand on top, this is Baal and Mot is falling, hit by Baal’s divine weapon; the Thunderbolt a weapon of thunder and lightning, see the arrow above his head. Shapash (in red) separates the quarreling figures as the myth describes.
This one of a kind rock art illustrates a struggle between two figures echos the famous regional tale of the well known Baal and Mot myth. The figure’s symmetry and their determination to win manifest their equal importance since both are responsible for the region climate. The artist illustrated the frenzied struggle with minimum details and as a spectator, you feel the fight dynamic as if you watching a moving scene. Their posture reflects the decisive moment and the outcome of this battle. It announces the victory of Baal by showing him standing upright and Mot is falling. Such a scenario instills the viewer with a hope that the fertile season is coming soon exactly as the quarreling god’s scene prophesize it.
Töyräänvuori J., (2012) Weapons of the storm god in ancient Near Eastern and biblical traditions
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